William Henry Fox Talbot
[Mathematician and pioneer of photography, b. 1800, Melbury, Dorset, England, d. 1877, Lacock Abbey, England.]

 [The camera] may be said to make a picture of whatever it sees, the object glass is the eye of the instrument—the sensitive paper may be compared to the retina. 
 How charming it would be if it were possible to cause these natural images to imprint themselves durable and remain fixed upon the paper! And why should it not be possible? I asked myself. 
 I do not claim to have perfected an art but to have commenced one, the limits of which it is not possible at present exactly to ascertain. (1839) 
 The plates of the present work are impressed by the agency of Light alone, without any aid whatsoever from the artists’ pencil. (Epigraph, 1844, The Pencil of Nature, the first photographic book)  
 The most transitory of things, a shadow, the proverbial emblem of all that is fleeting and momentary, may be fettered by the spells of our ‘natural magic’, and may be fixed forever in the position which seemed only destined for a single instant to occupy... Such is the fact, that we may receive on paper the fleeting shadow, arrest it there and in the space of a single minute fix it there so firmly as to be no more capable of change. (1839) 
 …[the camera] chronicles whatever it sees, and certainly would delineate a chimney-pot or a chimney-sweeper with the same impartiality as it would the Apollo of Belvedere. 
 And this building I believe to be the first that was ever known to have drawn its own picture. 
 Having a paper to be read next week before the Royal Society, respecting a new Art of Design which I discovered about five years ago, viz. the possibility of fixing upon paper the image formed by a Camera Obscura, or rather, I should say, causing it to fix itself 
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