[Photographer, b. 1917, Plainfield, New Jersey, d. 2009, New York.]
I myself have always stood in the awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
A good photograph is one that communicates a fact, touches the heart and leaves the viewer a changed person for having seen it. It is, in a word, effective.
A fashion picture is a portrait just as a portrait is a fashion picture.
The printed page seems to have come to something of a dead end for all of us.
I share with many people the feeling that there is a sweetness and constancy to light that falls into a studio from the north sky that sets it beyond any other illumination. It is a light of such penetrating clarity that even a simple object lying by chance in such a light takes on an inner glow, almost a voluptuousness.
Sometime in 1964 I realized that I was a victim of a printmaking obsession, a condition that persists today.