Wynn Bullock
[Photographer, b. 1902, Chicago, Illinois, d. 1975, Monterey, California.]

 Mysteries lie all around us, even in the most familiar things, waiting only to be perceived. 
 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown. 
 In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. 
 For me photography has been a profession, an avocation. Now it has become a way of life. 
 My thinking has been deeply affected by the belief that all things are some form of radiant energy. Light is perhaps the most profound truth in the universe. 
 As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked. 
 I now measure my growth as a photographer in terms of the degrees to which I am aware of, have developed my sense of, and have the skills to symbolize visually the four-dimensional structure of the universe. 
 When I photograph, what I’m really doing is seeking answers to things. 
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