Wynn Bullock
[Photographer, b. 1902, Chicago, Illinois, d. 1975, Monterey, California.]

 Mysteries lie all around us, even in the most familiar things, waiting only to be perceived. 
 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown. 
 In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. 
 For me photography has been a profession, an avocation. Now it has become a way of life. 
 My thinking has been deeply affected by the belief that all things are some form of radiant energy. Light is perhaps the most profound truth in the universe. 
 I now measure my growth as a photographer in terms of the degrees to which I am aware of, have developed my sense of, and have the skills to symbolize visually the four-dimensional structure of the universe. 
 I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, “This is real, too.” 
 What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can’t go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you’ve done. So that’s why I say that reason and intuition are not in conflict—they strengthen each other. 
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