Wynn Bullock
[Photographer, b. 1902, Chicago, Illinois, d. 1975, Monterey, California.]

 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown. 
 Mysteries lie all around us, even in the most familiar things, waiting only to be perceived. 
 In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. 
 For me photography has been a profession, an avocation. Now it has become a way of life. 
 My thinking has been deeply affected by the belief that all things are some form of radiant energy. Light is perhaps the most profound truth in the universe. 
 Everything went together perfectly, and this is what I mean by knowing. I didn’t have to analyze anything. I just recognized what was in front of me. All I had to do was set up and take the picture. 
 The medium of photography can record not only what the eyes see, but that which the mind’s eye sees as well. The camera is not only an extension of the eye, but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye, visible. 
 When I photograph, what I’m really doing is seeking answers to things. 
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