Chuck Close
[Artist, b. 1940, Monroe, Washington, lives in New York.]

 ... I never said the camera was truth. It is, however, a more accurate and more objective way of seeing. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I used to have this notion when I was a kid that the minute you said anything, it was no longer true. Of course it would have driven me crazy very rapidly if I hadn’t dropped it, but there’s something similar in what I’m trying to say. That once it’s been done, you want to go someplace else. 

Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Every photograph is a fake from start to finish. 

Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 The heart [of my work], the quintessential, remains the questioning of photographic truth. Be careful, be critical, doubt, and filter the information you receive. 

Eleanor Antin
[Artist, b. 1935, New York, lives in San Diego, California.]

 I adore [photography’s] uneasy mix of fact and fiction—its dubious claim to truth—its status as history. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 I am a passionate lover of the snapshot, because of all photographic images it comes closest to truth. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 The twentieth century was the time of photography, when almost everything of importance was recorded and considered true because it was photographed. Nowadays nearly anyone can produce a photograph of Ladybird Johnson standing on the grassy knoll with a smoking gun in her hand and no one can prove it’s a fake. 

Chester Higgins
[Photographer, b. 1946, Lexington, Kentucky, lives in Brooklyn, New York.]

 I learned that the camera never lies about the photographer. 
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