Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

William Eggleston
[Photographer, b. 1939, Memphis, Tennessee, lives in Memphis.]

 A picture is what it is and I’ve never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn’t make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they’re right there, whatever they are. 

Philippe Halsman
[Photographer, b. 1906, Riga, Latvia, d. 1979, New York.]

 I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for money. 

Bill Jay
[Photographer, writer, and curator, b. 1940, Maidenhead, England, d. 2009, Samara, Costa Rica.]

 Making a photograph is as difficult as finding a particularly frisky cat in a dark room. Making a great photograph is as chancy as trying to catch a frisky cat in a black room in which there is no cat. 

E.B. White
[Writer, b. 1899, Mount Vernon, New York, d. 1985, North Brooklin, Maine.]

 Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he may communicate a thought or an impression to his reader without the reader’s realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole. 

Manuel Álvarez Bravo
[Photographer, b. 1902, Mexico City, d. 2002, Mexico City.]

 A photographer’s main instrument is his eyes. Strange as it may seem, many photographers choose to use the eyes of another photographer, past or present, instead of their own. Those photographers are blind. 

Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Lee Friedlander
[Photographer, b. 1934, Aberdeen, Washington, lives in New York.]

 I only wanted Uncle Vern standing by his new car (a Hudson) on a clear day. I got him and the car. I also got a bit of Aunt Mary’s laundry and Beau Jack, the dog, peeing on a fence, and a row of potted tuberous begonias on the porch and seventy-eight trees and a million pebbles in the driveway and more. It’s a generous medium, photography. 
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