Juergen Teller
[Photographer, b. 1964, Erlangen, Germany, lives in London.]

 You develop more confidence within the world, as a human being, about taking risks. And on one level not taking things so seriously, and then again, taking things so seriously that you can allow yourself to have fun with it. I have that chance of making that fucking space my own—let’s go in there and piss in the corner if it feels great. 

Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 I think that nowadays there are more images in the world than world to be in the pictures. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 A certain amount of contempt for the material employed to express an idea is indispensable to the purest realization of the idea. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 I always wished I could be a painter or a filmmaker, anything but a fucking photographer. I certainly didn’t want to be in a photography gallery. 

Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 I wish I had met [Francesca] Woodman forty years ago. It would have been great to live with her for a year. She didn’t save anything. She played the camera like a new guitar. She murdered herself out taking pictures... 

John Waters
[Filmmaker and photographer, b. 1946, Baltimore, Maryland, lives in Baltimore.]

 For most people, the word voyeur is a bad word; to me, it’s a realistic one. Whatever your secret obsession is, that’s what you need to look at again and again and again. It doesn’t matter what it is. Was Ansel Adams—who spent a lifetime looking at mountains, making pictures, and getting off on them—a voyeur? 

Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 If you scratch through the deceitful artifice of contemporary photography, you’ll find the real artifice underneath. 
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