Roger Ballen
[Photographer, b. 1950, New York, lives in Johannesburg, South Africa.]

 The pictures are of a psychological culture, a Jungian culture, if you will. It emanates from my own psyche... It’s a hard place to get to, honestly. It has taken me many years to get to that place and to define it visually. 
 The thing that influences me the most is my own pictures. 
 [My] goal as an artist is to create increasingly complex images with greater and greater clarity of form and intensity of vision. 
 I never think about a photo before I start it. I try to let my mind relax, and then when I get there I do it. 
 The essence of photography is freezing minute periods of time. The mind has to believe that you’ve captured a genuine moment, because that is the purpose of photography. 
 Every time you push the button of the camera you create a new reality. 
 Because photography is such an easy medium to master technically, especially with today’s cameras, people don’t realize that it’s not just being able to pick up a camera. When I lift that camera up to take a picture, I’ve gone through thousands of steps to get to that point. That’s what you’re really seeing; it’s a complex view of the world, through my imagination, through my experiences. 
 You can’t just set things up and photograph them and expect the picture to “zap.” It is very important that the mind feels that there is a moment of truth or a moment of authenticity. It’s really crucial, because if the artist’s hand is seen as too strong, the pictures seem either dead or contrived. 
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