Roger Ballen
[Photographer, b. 1950, New York, lives in Johannesburg, South Africa.]

 [Photography] tells you that every second in time is different from every other second. You want people to understand that the image in front of them has something to do with the truth, and it can never be repeated. 
 It is my belief that the most challenging photographs are those that create a tension between what we refer to as the real and the imaginative. 
 When you push the shutter and take a photo you are a photographer, but are you an artist? 
 Nothing is staged. And nothing is already there. Everything is transformed through the camera. 
 My purpose in taking photographs over the past forty years has ultimately been about defining myself. It has been fundamentally a psychological and existential journey. 
 A lot of photography is about the unexpected happening during the time that you do the work. So it’s not something that you can really predict. 
 The pictures are of a psychological culture, a Jungian culture, if you will. It emanates from my own psyche... It’s a hard place to get to, honestly. It has taken me many years to get to that place and to define it visually. 
 In the end, I believe that the most important influence on my aesthetic has been the photographs I have taken. 
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